Written, directed and performed by
“THE INTERNATIONAL HIT SHOW THAT CAPTURES THE MUSIC, POLITICS, AND CULTURE OF THE 70s, 80s, AND 90s!
BOOM X picks up at Woodstock in August of ‘69, and takes us all the way to 1995, when the internet began to dominate our lives. Over the course of 100 minutes, Miller plays over 100 colourful characters from the days of disco, the oil crisis, Watergate, the Cold War, video games, punk rock, the (second) British Invasion, and more. An explosive, inter-generational celebration of Canada, and its place in the world.
TICKET PRICES INCLUDE HST & FEES
Theatre Aquarius subscribers are guaranteed the absolute best price for the season with preferred seating and unlimited free ticket exchanges. Subscribers receive a 15% discount on additional tickets purchased to mainstage shows throughout the season and first access to the Off Aquarius Season.
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SEASON SPONSORS
Audience Advisory/Content Warning: Some flashing lights, loud noises and gunshot effects. This play touches on themes including sexism, racism, and homophobia. It includes mature language, and some historical and racialized epithets.
– Calgary Herald
Playwright/Director/Performer
– CBC News
Executive Producer
Dramaturg / Original Illustrations
Technical Director / Associate Lighting Designer
Video & Projection Co-Designer
Lighting Designer
Costume & Props Designer
Additional Music Production
Stage Manager
– Montreal Gazette
Apr 22, 2026 to May 16, 2026
Oct 1, 2025 to Oct 18, 2025
Nov 19, 2025 to Dec 28, 2025
Mar 4, 2026 to Mar 29, 2026
A new comedy by Matt Murray
Directed by Mary Francis Moore
From the writer and director of MAGGIE THE MUSICAL
Hilarious, heartfelt, and a little bit off the rails—just like life.
Set in a Hamilton church basement, this whip-smart comedy brings together an unforgettable crew: a menopausal teacher desperate to stay relevant, a rough-around-the-edges church cleaner who tells it like it is, a Gen Z bartender with a chip on her shoulder, a heartbroken Winners sales clerk who knows too much about throw pillows, and a hockey-obsessed husband quietly wondering where his life went.
What starts as a simple time capsule project turns into a riotous ride of confessions, clashes, and unexpected connections.
Think Schitt’s Creek meets Welcome Back, Kotter—a feel-good, female-forward story about friendship, second chances, and finding meaning in the most unexpected places.
AUDIENCE ADVISORYStrong Language, mature themes and sexual content.
“This new comedy digs into the connections that hold us together—family, friendship, and the secrets we bury along the way.”
–Gary Smith, The Hamilton Spectator
October 2 at 6:45 pm: Laughing Where We’re From: A Pre-Show Chat on Comedy and Community with Matt Murray and Mary Francis Moore
October 15 after the show: Encore! Encore! Post-Show Chat with members of The Time Capsule company
“What starts as a simple time capsule project turns into a riotous ride of confessions, clashes, and unexpected connections.”
–Meredith MacLeod, Hamilton City Magazine
Rick
Erin
Louise
Jess
Marcus
Director
Playwright
Set Designer
Costume Designer
Assistant Stage Manager
Apprentice Director
Jan 21, 2026 to Feb 7, 2026
Adapted for the stage by
Directed by Morris Panych
One of Agatha Christie’s greatest literary achievements, with a final twist among her best!
Detective Hercule Poirot is aboard the Orient Express when an unlikeable wealthy American is murdered. As the debonair detective investigates, he encounters a cast of intriguing passengers, including the glamorous Mrs. Hubbard and the enigmatic Princess Dragomiroff. With his unparalleled eye for detail and keen instincts, Poirot uncovers secrets and motives as he seeks the truth behind the murder in this suspenseful tale of deception, revenge and justice.
“Agatha Christie’s Murder on the Orient Express” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.www.concordtheatricals.com
MEDIA PRESENTING PARTNER
Audience Advisory: Deals with mature content: topics of murder, suicide, discussions of violent crime, death, loss & potential addiction.
Winter.
A luxury train crosses Europe.
The Orient Express.
Then – Murder!
Check out our trailer here >>
Photos by Dahlia Katz
Hector MacQueen
Head Waiter / Michel, The Conductor
Colonel Arbuthnot/Samuel Ratchett
Hercule Poirot
Helen Hubbard
Countess Andrenyi
Princess Dragomiroff
Greta Ohlsson
Monsieur Bouc / Fight Captain
Mary Debenham
Set and Costume Designer
Sound Designer
Composer
Fight Director
Intimacy Director
Apprentice Stage Manager
Apprentice Lighting Designer
“The perfect crime: Murder on a train at Theatre Aquarius’ Agatha Christie show has it all, from hotness to twists to humour.”
Jeff Mahoney, The Hamilton Spectator
Book by Jennifer Lee
Originally directed on Broadway by Michael Grandage
Based on the Disney film written by Jennifer Lee and directed by Chris Buck & Jennifer Lee
Originally produced on Broadway by Disney Theatrical Group
When Queen Elsa’s hidden powers plunge the land of Arendelle into an eternal winter, her sister Anna sets out to find her and save the kingdom before it’s too late. But as the storm rages on, both sisters must learn that only an act of true love can thaw a frozen heart. Frozen will defy all expectations on an unforgettable journey packed with thrilling surprises, hilarious characters and soaring music, including songs: “For the First Time in Forever”, “Do You Want to Build a Snowman?” and the worldwide smash-hit, “Let it Go”.
Presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
AGE RECOMMENDATION: 5+
We recommend this performance for children ages 5 and up. Please note that every child must have their own ticket to attend, and all youth must be seated with an accompanying adult.
For the comfort and enjoyment of all guests, babes in arms and children under the age of two (2) are not permitted inside the auditorium.
As there is no official rating system for live theatre, our age recommendation is a guideline only — we encourage you to consider your child’s maturity and ability to enjoy a full performance when making your decision.
Audience Advisory:
Use of theatrical fog, haze, pyrotechnics, flashing lights & loud noises
Above: Theatre Aquarius’ Production of Disney’s Frozen, The Broadway Musical. Photos by Dahlia Katz
Hans/Ensemble
Oaken/Ensemble/US Weselton
Ensemble / Kate Understudy
Musician
Ensemble/US Kristoff/US King Agnarr
Anna
The Narrator
Ensemble/Handmaiden/US Young Elsa/US Young Anna
Young Elsa/Ensemble
Head Handmaiden/Ensemble/US Elsa/US Bulda
Olaf/Ensemble and Puppet Consultant/Builder
Bishop/Pabbie/Ensemble/US Hans/US Oaken and Fight/Intimacy Captain
Ensemble/US Pabbie/US Sven/US Bishop
Kristoff/Ensemble
Sven/Ensemble/US Olaf/Puppetry Director
Young Anna
Musical Director
Choreographer
Projection Designer
Puppet Designer/Head of Puppets
Fight and Intimacy Director
Associate Choreographer
Associate Musical Director
Apprentice Choreographer
Percussion
Horn
Clarinet/Flute/Saxophone
Bass
Trumpet/Fluegelhorn
Piano
Songs by
In partnership with Thousand Islands Playhouse
Book by Ahmed Moneka & Jesse LaVercombe
Orchestrations and Music Supervision by Bob Foster
Choreography by Marc Kimelman
It’s a Good Life If You Don’t Weaken immerses audiences in a powerful original story set to the timeless music of The Tragically Hip, capturing the raw energy, heartfelt lyrics, and unmistakable spirit that have become central to Canada’s musical identity.
Set in 2002, Waleed — an exiled journalist — arrives in Canada and unexpectedly falls for Kate, the owner of a local music store. Their connection is immediate and undeniable. But when circumstances change, they are forced to confront duty, uncertainty, and what truly matters — and where they each belong.
Featuring iconic songs by The Tragically Hip, including “Bobcaygeon,” “Ahead by a Century,” “New Orleans Is Sinking,” “Wheat Kings,” “Grace, Too,” “Blow at High Dough,” and “Courage.”
Produced by permission of David and Hannah Mirvish and Michael Rubinoff
Co-Producers: The National Arts Centre and its National Creation Fund
It’s a Good Life If You Don’t Weaken was developed in partnership with Theatre Aquarius, Thousand Islands Playhouse, and further developed at The Creative School Chrysalis at Toronto Metropolitan University and in collaboration with the National Creation Fund at Canada’s National Arts Centre.
The It’s a Good Life If You Don’t Weaken company performed on CBC Q with Tom Power, Live at the Junos.
DEVELOPED WITH SUPPORT FROM THE
MARKETING SUPPORT PROVIDED BY
This event has been financially assisted by the Ontario Cultural Attractions Fund of the Government of Ontario through the Ministry of Tourism, Culture and Gaming, administered by the Ontario Cultural Attractions Fund Corporation.
Audience Advisory: Recommended for audiences aged 12+.
May contain adult language, loud bangs/noises, and smoke/haze.
‘New Orleans Is Sinking’ from It’s a Good Life If You Don’t Weaken — a powerful new musical featuring the songs of The Tragically Hip.
Turn it up.
The world-premiere musical event begins April 22, right here at Theatre Aquarius in Hamilton.
Abigail
Ensemble / Abigail Understudy / Dance Captain
Swing
Sam
Fadi / Waleed Understudy
Jonathan
Lucas
Waleed
Kate
Didi
Orchestrations and Music Supervision
Music Director / Keyboards
Music Coordinator
Associate Director
Associate Sound Designer
Production Stage Manager
Keyboard / Acoustic Guitar
Drums / Percussion
Violin
Guitar
Cello